How to carve patterns Part 6 ~Mimasu-Tsunagi and Mimasu-Chirashi~

how to carve

In this lesson, we’ll explore two patterns based on the traditional Japanese “Masu” (枡) — a square wooden measuring cup historically used to measure grains and liquids.

The Mimasu (三枡) pattern consists of three overlapping square Masu boxes (large, medium, and small), viewed from above. This stacked design gives the impression of depth and nested structure.

 

From this pattern, we’ll carve:

  • Mimasu-Tsunagi (Linked Mimasu)

  • Mimasu-Chirashi (Scattered Mimasu)

三枡繋ぎと三枡散らしの木彫サンプルv2

Tools Used

  • Sharp chisel (Kiwa-gatana)

  • Flat chisel (Hira-gatana)

キワ刀9mm、平刀6mm
キワ刀、平刀

Preparation

Use carbon paper to trace ``Mimasu-Tsunagi'' and ``Mimasu-Chirashi'' onto a postcard-sized wooden board. The sketches can be downloaded from here (PDF of Mimasu-Tsunagi and Mimasa-Chirashi) , so please use them.

Use carbon paper to trace the Mimasu-Tsunagi and Mimasu-Chirashi designs onto a postcard-sized wooden board.
You can download the sketch here: [ PDF of Mimasu-Tsunagi and Mimasa-Chirashi].

三枡繋ぎと三枡散らしを木に写す
三枡繋ぎと三枡散らしを木に写す

1. How to carve “Mimasu-Tsunagi”

Begin with the Mimasu-Tsunagi, where several Mimasu motifs are connected in a flowing pattern.

三枡彫り_指示書

Step 1: Incision with Sharp Chisel

Using a sharp chisel, make incisions along the red lines at a consistent depth.
Then, along the green arrowed lines, gradually deepen your cuts in the direction of the arrows to give a sense of dimension.

Step 2: Carving the Slopes

Use either a flat chisel or a sharp chisel to carve the blue-shaded slope areas.
This creates the illusion that each square is set within another.

 

Step 3: Carving Order

To maintain clean and distinct edges, carve from the outer square inward (large → medium → small).

 

Each square should be carved carefully so that the guideline sketch fades away, leaving a crisp relief design.

三枡繋ぎの木彫り完成

2.How to carve “Mimasu-chirashi”

Mimasu-Chirashi uses the same carving method as Mimasu-Tsunagi, but the layout differs — the patterns appear scattered rather than connected.

This adds variation and a more dynamic feel to the composition.

Special Note: Overlapping Areas

In some parts of this design, the squares overlap. To make these intersections look natural:

  • Use the tip of your sharp chisel to carve a triangular surface where the overlapping occurs — like the yellow-highlighted areas in the reference sketch.

三枡散らし_指示書

There are several other places in the pattern where triangular slopes will enhance the 3D effect — feel free to observe carefully and carve those at your own discretion.

三枡散らし_完成

How to carve patterns

  1. From the lattice to the scales
  2. Raimon
  3. Asanoha and Sayagata
  4. Seigaiha and Sippo-Tsunagi 
  5. Higaki and Kumikikko
  6. Mimasu-Tsunagi and Mimasu-Chirashi  ←Current page displayed
  7. Ryusui
  8. Bundo-Tsunagi and Tatewaku
  9. Yamajimon and Misujidate
  10. Kemanmon and Gobosei
  11. Chidori and Chidori-Goshi
  12. Nejiume (Twisted plum) 
  13. Kikubishi and Yaegiku
  14. Ichimatsu and Sankuzushi
  15. Kikko and Yagasuri
  16. Clouds
  17. Waves