How to carve patterns Part 5 ~ Higaki and Kumikikko~

how to carve

In this lesson, we’ll go over how to carve two interwoven patterns:

  • Higaki (Cypress Fence)

  • Kumikikkō (Braided Tortoiseshell Pattern)

Both patterns feature overlapping or interlaced elements. The key is to carve in a way that suggests depth and layering by carefully shaping corners and adjusting height.

下に潜り込む部分の角を削る
下に潜り込む部分の角を削る

檜垣と組亀甲の木彫り

Preparation

Use carbon paper to trace the Higaki and Kumikikkō designs onto a postcard-sized wooden board.
You can download the sketches here: [PDF of Higaki and Kumikaku].

檜垣と組亀甲の下絵を写す
檜垣と組亀甲の下絵を写す

1.How to carve Higaki

In traditional Japanese architecture, a fence made by layering thin cypress boards in an alternating fashion is called Higaki or Ajiro.
In this carving, we express the interwoven structure without actual weaving—just through careful relief carving.

Step 1: Line Carving

Carve the pattern lines with a triangular chisel, then make incisions along the necessary edges using a sharp chisel.

 

Step 2: Cutting the Corners

Use a flat chisel to shave off the corners of the parts that go underneath.
This creates a layered effect and makes it look like one strip tucks beneath the other.

Step 3: Smoothing the Underlap

Continue shaping the edges with a sharp chisel and flat chisel, imagining how the strips would weave under each other naturally.

檜垣の木彫り完成
檜垣の木彫り完成

 

2.How to carve Kumikikko

Kumikikkō is a hexagonal, braided pattern that resembles tortoiseshell and often appears in traditional Japanese crafts and armor design.

Step 1: Line Carving

Begin by carving the main lines with a triangular chisel. Then, use a sharp chisel to make incisions along most of the lines.

Note: In the sketch, the red lines are only for line carving—no incisions are needed on those.

Step 2: Carving the Underlapping Corners

Just like in the Higaki pattern, use a flat chisel to shave the corners of the parts that appear to go underneath.

下に潜り込む部分の角を削る
下に潜り込む部分の角を削る

Then, gradually flatten the shaved corners so they transition smoothly into the surrounding areas.

角を落とした部分を平刀でなだらかにしていく
角を落とした部分を平刀でなだらかにしていく

Step 3: Lowering the Inner Triangles

Look at the blue areas in the sketch. These inner triangles should be carved one step lower to give the design dimensionality.

To do this:

  • Make incisions on all three sides of the triangle with a sharp chisel.

  • Use a 1.5mm flat chisel to carve the interior slightly deeper than the rest of the pattern.

 

Step 4: Finishing Touches

Re-engrave any lines that faded during carving to sharpen the details.

.組亀甲の木彫り完成

組亀甲の木彫り完成

How to carve patterns

  1. From the lattice to the scales
  2. Raimon
  3. Asanoha and Sayagata
  4. Seigaiha and Sippo-Tsunagi 
  5. Higaki and Kumikikko  ←Current page displayed
  6. Mimasu-Tsunagi and Mimasu-Chirashi
  7. Ryusui
  8. Bundo-Tsunagi and Tatewaku
  9. Yamajimon and Misujidate
  10. Kemanmon and Gobosei
  11. Chidori and Chidori-Goshi
  12. Nejiume (Twisted plum) 
  13. Kikubishi and Yaegiku
  14. Ichimatsu and Sankuzushi
  15. Kikko and Yagasuri
  16. Clouds
  17. Waves